Showing posts with label Rock. Show all posts
Showing posts with label Rock. Show all posts
1 comments November 28, 2008

The Jezabels


The Jezabels don't actually write their name with an exclamation point, but that's how I say their name in my head every time I think about them, because every I think about them, I get excited. The Jezabels!

Their music has that effect on me.

Hailing from down under (not the down under I'm from, but the other one -- I don't hold that against them, though), the Jezabels started out when band members Heather, Hayley, Nik and Sam met at Sydney University.

As far as I can make out, the band is not signed to a label yet. But it can't be that far away, though, surely? Since they are, quite simply and as Sia would say, magicpants.

I love the messy chaos of their music. In an odd way, they remind me of Sleater Kinney or Montreal's Land of Talk. At first it's like just so much noise (maybe even a little off-key?) but soon their songs needle their way under your skin like a tick, until you're destabilized and feverish with the need to listen to them over and over again.

There are all these separate elements in their music that shouldn't work, but do. There'll be a discordant piano refrain or a meandering baseline that you feel certain will tip the song over into irritating, empty noise doodling. But somehow all the parts coalesce into something not only cohesive, but packing a hefty emotional punch.

I don't know how they do this. But I like it. Very much.











[Jezabels - MySpace]

2 comments October 5, 2008

Zero - Les Suicides


You know that whole trend of modern bands mining past decades for their sound (and sometimes even their dress sense) and, as a byproduct, milking the nostalgia factor for all it's worth?

I'm down with that. I am. Milk away, I say.

It's working for me.

Even by saying, "I'm down with that," I'm probably marking myself as aged and decrepit (I'm over 30 for god's sake: utterly irrelevant), but whatever. Holler at your ... girl. And all that.

Because it seems like grunge is working its way back around again, and I'm all for it.

Here is where I need to segue seamlessly into the fact that Noir Désir are one of my all time favourite bands, even though I came to them a decade late, never saw a video until today (thanks YouTube), didn't understand their lyrics at first, and only heard of the tragic story concerning lead singer Bertrand Cantat and his then girlfriend Marie Trintignant fairly recently.

Noir Désir were huge in France in the 90s, but like I said, I caught up with them a decade late.

I guess you could characterise their sound as garage rock (with elements of grunge, or alternative rock), but their oeuvre has a passion, social awareness and immediacy that is rarely as present in the music of their stateside counterparts. (Think: Nirvana, Smashing Pumpkins, Stone Temple Pilots, et al. When I revisit their albums now, they still pack a visceral punch, but their incessant self-absorption sets my teeth on edge.)

In another stunning segue (or, if you prefer: non sequitur), this is where Zero come in.

Zero are -- according to their MySpace bio -- a Franco-German rock band, formed in Berlin back in 2001.

They have one demo EP, are now based in Paris and played their first live show in April 2008.

They're very green, and relatively unknown, but on the strength of their single "Les Suicidés", alone, I think they are more than worthy of donning the mantle of Lords (and Lady) of rock français, the coveted spot once occupied by Noir Désir.

Zero are picking up that mantle and running with it, like delirious, naughty children.

There are shades of a harder-edged, darker Karwka in their sound. And a definite whiff of Cobain, too.

Are they a decade too late?

Needless to say, I don't think so.

But then again, what do I know? I'm aged and decrepit.










You can download their tunes over at Jamendo. So get on over and check it out.

[Zero - MySpace] [Zero - Jamendo]

0 comments September 29, 2008

Amanda Palmer - Astronaut


F*cking awesome.

That is all.










[Amanda Palmer - MySpace] [Dresden Dolls - MySpace] [Who Killed Amanda Palmer - Amazon]

2 comments June 6, 2008

Baltic Fleet


What starts out like Elastica before morphing into Interpol by way of Joy Division?

It's not a trick question, and okay, I'm doing those annoying reductive comparisons again, but really, Baltic Fleet have to be heard to be believed.

And trust me, I'm not slighting the band in the least. Anything that starts out like Elastica before morphing into Interpol by way of Joy Division has me from the get-go.

When I say 'the band' I really mean Paul Fleming, keyboard player for Echo and The Bunnymen. Baltic Fleet is his baby.

He apparently wrote the album when he was on tour with the Bunnymen, trying to capture, in music, what inspired him in each city around the world.

While Baltic Fleet is a new discovery for me, a quick listen to the myspace page suggests to me that the band (ie, Fleming) is going to be huge.

He certainly deserves to be.

One of my favourite songs (out of an already incredibly strong line up) is "3 Dollar Dress".

It's hypnotic and savage -- a driving slice of indie rock heaven.

And what's more, it starts out like Elastica, before morphing into Interpol, by way of Joy Division...

Here's "3 Dollar Dress":



[Baltic Fleet - MySpace] [blow up records]

0 comments May 26, 2008

Karkwa


KARKWA HAS A NEW ALBUM OUT!

Oops, was I shouting? I'm feeling somewhat discombobulated. Where the hell have I been? Karkwa has a new album out.

I have this terrible habit with music -- when I love a band, I will thrash their music until I categorically cannot listen to them ever again. (Or not until they've put out new material, at least. And yes, I do realise that this is some kind of failing on my part.)

I have had Karkwa's album, Les tremblements s’immobilisent, on fairly constant iPod rotation for the past year, however, and it has withstood such treatment remarkably well.

I love Les tremblements. It's so fluid and accomplished and intricate, full of dark, moving, complex melodies. It still has the power to give me a rush of adrenaline and to leave me transfixed and elated.

If their latest is even half as good, I'll be a happy camper.

I am rushing out now to buy the new(ish) album, but I leave you with "L'épaule froide" and "La fuite":









[Karkwa - MySpace] [Band website]

2 comments May 12, 2008


Crystal CastlesDeus


Sometimes the iPod's shuffle feature throws up the most weird and wonderful juxtapositions.

How about Crystal Castles' "Courtship Dating" followed by dEUS' "Suds and Soda"?

Pure brilliance.

Toronto's Crystal Castles have been getting a lot of ecstatic press lately, and deservedly so (in my most humble opinion).

I've seen lots of reviews by blokes raving about how the Atari sound takes them right back to their game-boy-geek adolescence. It's a "I-
guess-you-had-to be-there" kind of thing, and since I wasn't, I don't get it. But I take their word for it.

For me, Crystal Castles suggest some kind of f*cked up, magnificent mélange of Sleater Kinney, Le Tigre and Soulwax.

They're their own trip, though, no question. So if you haven't yet, you should leap on the ride!

As for dEUS, they're old favourites. And somehow CCs' "Courtship Dating", with its shouted, call and response chorus segues perfectly into the see-sawing intro and shouted, disjointed verses of "Suds and Soda".

Go figure.









[Crystal Castles - MySpace] [dEUS - Band website]

Update: Seems CC are in a bit of hot water of late, for liberally pilfering samples from a community they'd previously denied any knowledge of. (Thanks to my anonymous commenter for the tip.) There's a good breakdown over at Create Digital Music of the controversy, along with an interesting discussion and examples of the offending songs.

3 comments May 8, 2008

Fuck Buttons


People go crazy for summer here in Montreal.

Windows are thrown open, pale, sickly faces are lifted to the sun, and clothes are removed in a most reckless and arbitrary manner.

We creep out from our slovenly, smelly little nests and slowly unfurl in the warmth.

People are happy. They smile at strangers in the street. Everyone is all hail-fellow-well-met. The world is full of endless opportunity.

At the beginning of every summer, I join the rest of Montreal in this collective, dizzy exhalation of joy.

Sadly, it lasts barely a moment.

My summer bubble of amnesia bursts abruptly, and I remember -- with clenched fists and an ever present snarl -- why summer in Montreal is an awful time for grumpy old misanthropes (like me).

Summer means construction.

It means every man and his dog decides they have to fix their rotting balconies and sinking driveways and collapsing roofs.

And god forbid that construction crews start at 9 a.m. like every other civilized profession.

No. Construction crews start their day at 4-fucking-a.m.

Alright, I concede: that may not be strictly true. But when you're fast asleep at 7 a.m. and woken by what sounds like a truck backing up in your living room, pipes dropping from several stories into your bedroom, a band saw in your kitchen, and men yelling at each other in your bathroom, it feels like 4-fucking-a.m.

Disorientated and disgruntled after this less than auspicious wakeup call, you weave off to work on the bicycle you pulled out of storage at the beginning of spring.

You've decided it'd be a great idea to risk life and limb by entering the insane and unpredictable world of Montreal's roads, where, daily, pedestrians, cyclists and drivers try to kill one another through various staggering displays of inattention.

(The season has barely begun, and I, for one, have already kissed the asphalt. A jay-walking pedestrian stepped blindly off the pavement, I slammed on the breaks -- and flew right up and over the handlebars. Quite spectacular, really. The bruises are only just starting to fade.)

Having braved the roads once again at the end of your work day, you stagger into your apartment and collapse on the couch. You sip your lemonade and enjoy the breeze and think how nice it is to have escaped the madness outside.

You're startled from your reverie by a blood-curdling scream.

It's a child screeching, full-throated, at the top of her lungs. My god, is she being garroted? Is someone trying to remove her eyeballs with a fork?

You leap from the sofa and bolt onto your balcony, looking around wildly for the source of the noise, so you can run and help.

Down on the street below you see some neighbourhood children. They are playing on the grass. They are being watched over by a guardian. The screaming-banshee-child is one of their number. She lets one loose every minute of so.

You can only stare in abject horror and wonder: if you'd made that kind of noise when you were a child, your mother would've garroted you.

While you're gazing at this perplexing scene, a neighbour from the opposite apartment block comes out onto his balcony. (You could probably spit on his shoes, your balconies are that close together.)

As you glance over, you see him whip out some kind of mouth organ piano thing.

He begins to play. Tunelessly, as far as you can make out.

Now you're staring in open-mouthed consternation at your neighbour.

Number one, he's a grown man, why is he playing this fucking toy? Number two, what makes him so certain that everyone within a two mile radius wants to hear him play his fucking toy?

Right about now your nerves are at snapping point.

You stomp inside.

Once you threw open your windows to feel the warm, refreshing breeze.

Now all you want to do is slam them shut on this mayhem.

Which is not an option, of course, since in no time at all you would be sweltering in a hellish oven, consumed by indignation and ire.

Ah summer.

What power you have to make us suffer and like it.*

If I could set the experience of a Montreal summer to music, it would have to be Fuck Buttons' "Sweet Love for Planet Earth".



Oh, sweet, sweet irony.


[Fuck Buttons - MySpace] [eMusic]

*Russell Baker


0 comments April 6, 2008

Ghinzu


Formed in Belgium in 1999, Ghinzu are a bit like Muse, but without the overblown theatrics.

Not that they're not prone to a little drama. Their best songs are slow burners, beginning with dark, melodic piano lines woven into tense, driving rhythms that culminate in propulsive, muscular (very satisfying) crescendos of noise.

There is something vaguely reminiscent of Noir Désir in their sound, as well, although their English is not quite so heavily (or hilariously) accented.

Here's the eponymous track off their album Blow:









[Ghinzu - MySpace]

0 comments September 23, 2007

Navet Confit


The Universe -- bless her in all her infinite glory -- has bestowed upon me an embarrassment of musical riches in the past little while.

An embarrassment, I tell you.

I am swimming in musical deliciousness right now. And most of those delights are from right here in Montréal.

So let's start the musical odyssey with a band called Navet Confit.

Navet Confit is, in fact, one Jean-Philippe Fréchette.

Monsieur Fréchette is based in Montréal and has just released his latest album, LP2².

He writes in the bio of his website, that his inspirations for the album included hair, shoes, shops, films and modes of transport.

That's right. The really important things in life.

So here's the track "Samsam". Hope you enjoy.









[Navet Confit - MySpace]

0 comments September 19, 2007

Polyphonic Spree


Okay, so they look like a cult.

And they're almost always sickeningly happy (except in their photos).

And -- okay -- a dozen or so songs of "love-is-all-you-need" can wear a little thin.

I agree.

But my god, it's choral symphonic rock. What's not to love?

Polyphonic Spree founder, lead singer (and ‘musical director’) Tim DeLaughter said he was inspired by seventies bands like the Electric Light Orchestra. Who didn't love the Electric Light Orchestra when they were young? Who? Tell me that.

And when the Spree get it right, they give me the shivers. Honest. I get goose bumps, it’s so good.

They could almost inspire me to religious ecstasy. Or conversion. Or something.

Except for the fact that I’m cynical, mercurial and resolutely atheist.

Oh well. Never mind.

Here’s "Light To Follow":










[Polyphonic Spree - MySpace]

0 comments August 6, 2007

Apples in Stereo


Because I was late jumping on ye olde bandwagon, but I am making up for lost time.

And because it's summer, and these guys are more catchy than a case of herpes.

Unlike a case of herpes, however, they will leave you feeling happy, joyful, and young again.

Oh. To be young again...









[Apples in Stereo - MySpace]

0 comments August 1, 2007

Yeah Yeah Yeahs


They’re storming the gates!

The Yeah Yeah Yeahs have just released their latest EP, and it’s glorious.

Clocking in at around 20 minutes, this is a lean, mean, muscled explosion of noise. Every track is a blast of coruscating buzz-saw rock.

This is a band at the height of their game. They never put a foot wrong.

Needless to say I am fairly gagging for the album.

(And is it just me, or do these guys have a definite thang for word repetition?)

Yeah, Yeah, Yeahs - "Kiss Kiss"










[Yeah Yeah Yeahs - MySpace]

0 comments July 30, 2007

Deadboy & the ElephantmentDeadboy and the Elephantmen is, essentially, a bloke named Dax Riggs.

In early 2006, he and (then) bandmate Tessie Brunet put out the album We Are Night Sky.

It's an impressive album -- hard-edged swamp rock, but of the highly expressive, cerebral variety.

Rigg's gravelly voice is a raw, fragile thing of beauty, often swinging from a low growl to a howl in a heartbeat. He’s been variously compared to Ziggy Stardust-era Bowie, by way of the banks of the Mississippi Delta.

Brunet left the band in late 2006 and Riggs is releasing his solo debut on August 21.

In the meantime, here’s "Dressed in Smoke", from We Are Night Sky:









[deadboy and the Elephantmen - MySpace]

0 comments July 26, 2007

UNKLE


The first impression of War Stories, the third release from UK outfit Unkle, is one of awesome power: a towering juggernaut of sonic beautastic-ness.

Wily and hard-bitten in places, lush and orchestral in others, War Stories strains and snaps at its leash like a feral, wholly unpredictable beast.

Repeated listens, however, begin to reveal a crack or two in the savagery. The album seems less bite, more whimper. Somehow, someway, the whole is not quite equal to its parts.

But, oh, the parts.

The first single, "Burn My Shadow", is like a warped, cracked-out version of Revolution (from the Cult’s Love LP, circa 1985). Ian Astbury is amazing here, managing to sound both menacing and plaintive at the same time. It’s a treat to hear Astbury in such fine form, and he shows up not once, but twice, gracing the albums’ final track as well.

Unkle has had no shortage of big-name guests in the past: Thom Yorke and Ian Brown, to name but two. And their latest line-up is an intriguing mix of some of rock’s more interesting vocalists, including Gavin Clarke, Liela Moss from The Duke Spirit, Josh Homme and, of course, Astbury.

Not all guest tracks work – Gavin Clarke’s "Keys To The Kingdom" is one of the weaker songs on the album. It’s Astbury who is the standout here, no question. His deep, mellifluous voice perfectly suits Unkle’s dark, volatile grooves.

When it works, it works: War Stories' highs are spectacularly high. Certain parts verge on tired retreads of Unkle's older work, however, and this is, ultimately, what makes the album a flawed one.

Unkle - Burn My Shadow:









[Unkle - MySpace]

1 comments July 17, 2007

EditorsDarlings of the British music press, the Editors, have released their sophomore effort, An End Has A Start.

It's a strong album, no mistake.

Why do I always end up feeling like I'm listening to a cheap imitation of Interpol, though?

It's all flab and no muscle. Bombast and no discipline.

It's a bit like finding a knock-off of your favourite perfume on Khao San Rd. It does the trick, but leaves you pining for the real thing.

It may just be me, though.

Check out this particularly effusive review from Playlouder:


This album is fucking brilliant – it made me want to cut my hair, paint the ceiling, fuck the postman and burn the disco down. So I did. Then I curled up in a corner, cried, and shat myself.

I might be lukewarm about The Editors, but I think that may be the best endorsement for an album I've read, hands down, ever.

0 comments July 5, 2007

This band has been threatening greatness for quite some time, and by all accounts their new album Collider is delivering on that promise.

(I've yet to order my copy, but have been enjoying the EP for a while now.)


I can't help feeling that if Fur Patrol were up here in the North, there would be a lot more of a fuss made of them. Especially with front woman Julia Deans, who is not only hot as hell, but who writes intelligent, melodic rock with more hooks than a fisherman's tackle. (Heh. I said fisherman).

So here's one from their Long Distance Runner EP, for your perusal and enjoyment:







0 comments July 3, 2007

Montréal is fairly bursting at the seams with incredible bands -- bursting I tell you! Incredible! There are so many, in fact, that I often joke there must be something in the water.

I could go on to list a few, but I won't, because the "Montréal Music Scene" has been more than done to death already.

I'll limit myself, therefore, to a couple of my current faves, who are little known now perhaps, but sure to be huge!


Miracle Fortress: Five Roses

The perfect summer accompaniment. Beatlesque, with a hint of Pet Sounds-era Beach Boys and a pinch of 80s shoegazer swirl, rock auteur Graham Van Pelt's debut album Five Roses is a hugely intelligent and beguiling affair. One track doesn't do it justice, though. Hunt down the album. Make it your own. Your brain, and your heart, will thank you for it.




Miracle Fortress: This Thing About You










If legend is to be believed, these lads have been 10 years in the making, (or at least their band has been). They've yet to sign a record deal and become millionaires, but I'm sure if they could just get their single The Word on the radio, the wealth and adulation they so rightly deserve would be theirs. Early Pixies by way of some kind of mutant swampy bluesy punk rock. Or something. You decide.


The Fudge: The Word











[And a big thanks to my pal Karen for putting me onto Miracle Fortress in the first place...]